{"title":"Barbara Jane Reyes","description":"\u003cp\u003eBarbara Jane Reyes was born in Manila, Philippines, and was raised in the San Francisco Bay Area. She is the author \u003ci\u003eGravities of Center\u003c\/i\u003e (Arkipelago Books, 2003),\u003ci\u003e Poeta en San Francisco\u003c\/i\u003e (Tinfish Press, 2006), which received the James Laughlin Award of the Academy of American Poets, \u003ci\u003eDiwata\u003c\/i\u003e (BOA, 2010), which received the Global Filipino Literary Award for Poetry, \u003ci\u003eTo Love as Aswang \u003c\/i\u003e(PAWA, Inc. Publications, 2015), \u003ci\u003eInvocation to Daughters\u003c\/i\u003e (City Lights, 2017), \u003ci\u003eLetters to a Young Brown Girl \u003c\/i\u003e(BOA, 2020), and \u003cem\u003eWanna Peek Into My Notebook?: Notes on Pinay Liminality\u003c\/em\u003e (Paloma Press, 2022). Her newest book \u003cem\u003eDaughtersong Diaspore\u003c\/em\u003e is forthcoming in 2027. She is an adjunct professor at University of San Francisco’s Yuchengco Philippine Studies Program. She lives with her husband, poet Oscar Bermeo, in Oakland, CA. For more information about Barbara Jane Reyes, visit \u003ca rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/www.barbarajanereyes.com\/\u0026amp;source=gmail\u0026amp;ust=1589905174335000\u0026amp;usg=AFQjCNFnAxtg5OrWxaBiOVmfViX6029d6g\" href=\"http:\/\/www.barbarajanereyes.com\/\" target=\"_blank\"\u003e\u003cwbr\u003ebarbarajanereyes.com.\u003c\/wbr\u003e\u003c\/a\u003e\u003c\/p\u003e","products":[{"product_id":"diwata","title":"Diwata","description":"\u003cp class=\"MsoNormal\"\u003eTagalog is a language spoken by about 22 million people in the \u003cplace\u003ePhilippines\u003c\/place\u003e. Diwata is a Tagalog term meaning, “muse.” Diwata is also a term for a mythical figure or being who resides in nature, and whom human communities must acknowledge, respect, and appease, in order to live safely, harmoniously, and prosperously in this world.\u003cbr\u003e\u003cbr\u003eIn her book \u003ci\u003eDiwata\u003c\/i\u003e, Reyes uses such Filipino oral tradition devices as meter, repetition and refrain, call and response, incantatory verses which verge on song, and the pantoum (which has Southeast Asian origins). She frames her poems between the Book of Genesis creation story, and the Tagalog creation myth, placing her work somewhere culturally in between both traditions. Also setting the tone for her stories is the death and large shadow cast by her grandfather, a World War II veteran and Bataan Death March survivor, who has passed onto her the responsibility of remembering. Reyes’ voice is grounded in her community’s traditions and histories, despite war and geographical dislocation.\u003c\/p\u003e","brand":"BOA Editions, Ltd.","offers":[{"title":"Default Title","offer_id":8420116165,"sku":"9781934414378","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/0178\/products\/diwata_final.jpeg?v=1527683210"},{"product_id":"letters-to-a-young-brown-girl","title":"Letters to a Young Brown Girl","description":"\u003cp\u003e\u003cstrong\u003eIn this \u003c\/strong\u003e\u003cstrong\u003eBlessing the Boats Selection, \u003c\/strong\u003e\u003cstrong\u003eBarbara Jane Reyes answers the questions of Filipino American girls and young women of color with bold affirmations of hard-won empathy, fierce intelligence, and a fine-tuned B.S. detector. \u003c\/strong\u003eThe Brown Girl of these poems is fed up with being shushed, with being constantly told how foreign and unattractive and unwanted she is. She’s flipping tables and throwing chairs. She’s raising her voice. She’s keeping a sharp focus on the violences committed against her every day, and she’s writing through the depths of her “otherness” to find beauty and even grace amidst her rage. Simultaneously looking into the mirror and out into the world, Reyes exposes the sensitive nerve-endings of life under patriarchy as a visible immigrant woman of color as she reaches towards her unflinching center.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003ePraise for \u003cem\u003eLetters to a Young Brown Girl\u003c\/em\u003e\u003cbr\u003e\n\u003c\/h4\u003e\n\u003cp\u003e“Barbara Jane Reyes’s \u003ci\u003eLetters to a Young Brown Girl\u003c\/i\u003e interprets the song of the broken with a ghostly call and response. There are life-saving questions here that Reyes’s poetry just might have the answers for. The who, the what, the where, and the why breakdown for the brown girl in all of us, uttered through an ancient voice, fragmented autobiography, and a mix-taped, multi-tracked lens. Reyes shows us how to dissolve and reassemble in the presence of our elders; how beauty is scalped and tainted for the sake of our mirrors; how best to arm ourselves. \u003ci\u003eLetters\u003c\/i\u003e are Reyes’ most potent weapons against imperialism, commoditization, and being single-storied. Make no mistake: this is Barbara Jane Reyes’s duende like you’ve never heard (or read) before.” \u003cb\u003e—Willie Perdomo, author of \u003ci\u003eThe Crazy Bunch\u003c\/i\u003e and \u003ci\u003eThe Essential Hits of Shorty Bon Bon\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e“Barbara Jane Reyes’s sixth collection of poems is \u003ci\u003efire\u003c\/i\u003e—in the colloquial and primordial sense—life-giving, path-lighting. This is a book I know I needed as a young brown girl; it’s a book I didn’t know I needed, still. Reyes’s collection is a gathering place, a site of survival. Part interrogation, part epistle and chronicle, part soundtrack and roadmap, \u003ci\u003eLetters to a Young Brown Girl\u003c\/i\u003e weaves together songs of experience and wisdom, songs of kapwa and loób, connecting the voices of a lineage of power—from Sugar Pie De Santo to Ruby Ibarra—to create a resounding, multitudinous chorus of young brown women transforming shame into dignity. This book makes me want to throw on my pambahay, raise my glass, and sing!” \u003cb\u003e—Michelle Peñaloza, author of \u003ci\u003eFormer Possessions of the Spanish Empire\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e“In \u003ci\u003eLetters to a Young Brown Girl\u003c\/i\u003e, Barbara Jane Reyes is the articulation of rage, power and radical self-love—creating and demanding a space for justice and the value of one’s body, one’s stories, and one’s joy. ‘They say the earth’s most unruly parts sing like you,’ Reyes writes, remembering ancestors’ songs and lovesongs and whalesongs, claiming tongue and narrative ‘no matter what the territory or terrain.’ I have needed these poems my entire poet’s life—these poems that speak to ‘how a brown girl writes and lives,’ that respond with profound love to the urgent plea: ‘how aren’t you afraid, sister … please teach me how to be steel like you.’” \u003cb\u003e—ire’ne lara silva, author of \u003ci\u003eBlood Sugar Canto\u003c\/i\u003e and \u003ci\u003eCuicacalli\/House of Song\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e“Barbara Jane Reyes’s latest collection centers the Pinay voice as resolute, as within a place of its belonging, and it is a voice that refuses to let go. It refuses to allow others to control the narrative: ‘Yeah, I’m pretty animal, I’m beastly. Are you threatened that this dark monster can holler and drown you out.’ There is nothing gentle about the disturbance Barbara creates in \u003ci\u003eLetters to a Young Brown Girl\u003c\/i\u003e. It is meant to be as unrelenting as the power structures it works against. Yeah it’s pissed, yeah it says f*ck more than a few times—this book asks for more than anger; it requires movement. It is meant to shake, to shudder, to transform.” \u003cb\u003e—Jason Bayani, author of \u003ci\u003eAmulet\u003c\/i\u003e and \u003ci\u003eLocus\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cbr\u003e\u003c\/h5\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch4\u003eDear Brown Girl\u003c\/h4\u003e\n\u003cp\u003eWhat if I told you that you don’t have to do as you’re told. Yes, you can cut up the script they made you recite by heart with your cut up tongue. Yes, by those people, who wanted you to be their lace trimmed, pink silk ribboned heart shaped box. Yes, they wanted you to let them open you up, they wanted to slit, split open all your little smooth sweet pieces, to mouth you, to melt you. As if you would just let them. Yes, you are allowed to open, twirl your butterfly-bladed words—siete cuchillos, I see you sister, your swift knives concealed under your lace edged, silk ribboned skirt.\u003c\/p\u003e","brand":"BOA Editions, Ltd.","offers":[{"title":"Default Title","offer_id":32082697257041,"sku":"9781950774173","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/0178\/products\/LettersToAYoungBrownGirl_FC.jpg?v=1587558092"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/0178\/collections\/116.1277143411.jpeg?v=1449014588","url":"https:\/\/shop.boaeditions.org\/collections\/barbara-jane-reyes.oembed","provider":"Boa Editions","version":"1.0","type":"link"}