{"title":"Ray Gonzalez","description":"Ray Gonzalez is the author of fifteen books of poetry, including six from BOA Editions: \u003cem\u003eThe Heat of Arrivals\u003c\/em\u003e (1997), winner of the PEN\/Oakland Josephine Miles Book Award; \u003cem\u003eCabato Sentora\u003c\/em\u003e (2000), a Minnesota Book Award Finalist; \u003cem\u003eThe Hawk Temple at Tierra Grande\u003c\/em\u003e (2003), winner of the 2003 Minnesota Book Award; \u003cem\u003eConsideration of the Guitar: New \u0026amp; Selected Poems\u003c\/em\u003e (2005); \u003cem\u003eCool Auditor: Prose Poems \u003c\/em\u003e(2009); and \u003cem\u003eBeautiful Wall \u003c\/em\u003e(2015). Gonzalez is also the author of three collections of essays, two collections of short stories, and the editor of twelve anthologies. He has served as the poetry editor for the \u003cem\u003eBloomsbury Review\u003c\/em\u003e for thirty-five years and in 1998, founded the poetry journal \u003cem\u003eLUNA\u003c\/em\u003e. Gonzales is a professor in the MFA Creative Writing Program at the University of Minnesota.","products":[{"product_id":"cabato-sentora","title":"Cabato Sentora","description":"\u003cp\u003eIn his previous collections of poetry, Ray Gonzalez has traveled to the heart of the Southwestern and Mexican-American experience and emerged with poems of astonishing power. In \u003cem\u003eCabato Sentora\u003c\/em\u003e, his fifth, Gonzalez revisits the themes he explored in his previous book, \u003cem\u003eThe Heat of Arrivals\u003c\/em\u003e: the desert Southwest and its flowers and its scorpions; the search for self; and Gonzalez's own Chicano heritage and its often bitter history. Indeed, the book itself is dedicated to \"the silence of my father and grandfathers. For the language of their silence.\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePraise for \u003cem\u003eCabato Sentora\u003c\/em\u003e \u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\"In this new collection, Ray Gonzalez locates the driven passion of poetry within his family, his ancestors, his people and their stories' root mysteries . . . \u003cem\u003eCabato Sentora\u003c\/em\u003e is at once a ramifying and fulfilling book.\" \u003cstrong\u003e\u003cspan size=\"3\"\u003e\u003cspan color=\"#000000\"\u003e—\u003c\/span\u003e\u003c\/span\u003eWilliam Heyen\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eBeyond Having \u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAnd, always, there is desire \u003cbr\u003elike the orange and banana changing\u003cbr\u003etexture on the kitchen shelf. \u003cbr\u003eTheir skins sink slowly into themselves.\u003cbr\u003eThere is the liquid of lust and thirst, \u003cbr\u003ean open gloss of choice and cutting, \u003cbr\u003ea lying down toward the wind, \u003cbr\u003ethe heaving you were warned about. \u003cbr\u003e\u003cbr\u003eAnd, soon, there is love like \u003cbr\u003eminiature spellings embedded in the shoulder,\u003cbr\u003ewaiting to be misspelled, washed, \u003cbr\u003ebrought back by perception that fades \u003cbr\u003ewith what moves below the arm, \u003cbr\u003ehinging on a doubt cried away. \u003cbr\u003eThere is the mistake of giving name \u003cbr\u003eto the prune, the print bitten off \u003cbr\u003eand covered over by black hair--\u003cbr\u003eits numbers kept secret, \u003cbr\u003elong strands in the tale of the carpet,\u003cbr\u003ethe pomegranate, the hundred ways \u003cbr\u003eof staying there. \u003cbr\u003e\u003cbr\u003eAnd, besides, there is danger of riding desire\u003cbr\u003euntil it carves you into its swollen throat,\u003cbr\u003esteel-cry of possession and the infinite blessing\u003cbr\u003eof fingers missing from the first time, \u003cbr\u003efingernails tracing the shape of the strawberry\u003cbr\u003eto memorize roughness without leaving. \u003cbr\u003eThere is the flavor and the understanding,\u003cbr\u003ea place to rest the eye after traveling, a force that binds you together \u003cbr\u003ewithout you knowing red marks \u003cbr\u003eon your back are places where wings\u003cbr\u003ewould have risen if you were an angel.\u003c\/p\u003e","brand":null,"offers":[{"title":"Paperback","offer_id":45961772171493,"sku":"9781880238707","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Paperback (Signed)","offer_id":45961772204261,"sku":"9781880238708","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/0178\/products\/CABATO_SENTORA.jpg?v=1527683194"},{"product_id":"consideration-of-the-guitar-new-and-selected-poems","title":"Consideration of the Guitar: New and Selected Poems","description":"\u003cp\u003eThis collection balances ample selections from award-winning poet Ray Gonzalez's six previous books with thirty new poems. Gonzalez's early poems are dominated by Southwest desert landscapes and deal with the pressure of conflicts between border cultures. More recent poems upend prevailing stories about historical figures, artists, and writers, create new animal myths, and push traditional boundaries of the free verse lyric deeper into surrealism. \u003cem\u003eConsideration of the Guitar\u003c\/em\u003e was a finalist for the 2006 Minnesota Book Award in Poetry.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eFederico Garcia Lorca's Desk\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eIt was tied with guitar strings\u003cbr\u003einto a sack that held pigeon feathers,\u003cbr\u003ethe hair of lost dogs\u003cspan size=\"3\"\u003e\u003cspan color=\"#000000\"\u003e—\u003c\/span\u003e\u003c\/span\u003ecardboard\u003cbr\u003efrom a box of trinkets \u003cbr\u003ehe received from North Africa.\u003cbr\u003eGarcia Lorca's desk was a bundle\u003cbr\u003eof things bearing down like an easy shot,\u003cbr\u003ewords recalled when discontent \u003cbr\u003ewas a shade of black, \u003cbr\u003ecoffee beans stolen in silence\u003cspan size=\"3\"\u003e\u003cspan color=\"#000000\"\u003e—\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003ea clock over the hillswaiting\u003cbr\u003efor the next moon. \u003cbr\u003e\u003cbr\u003eGarcia Lorca's desk was a head \u003cbr\u003eof lettuce, a bowl of goat soup, \u003cbr\u003ethe place where tiny hands \u003cbr\u003ewere named for their fingers, \u003cbr\u003eink spotting the pages to buy time\u003cbr\u003ebefore three doors were slammed.\u003cbr\u003eGarcia Lorca's desk was his vow\u003cbr\u003eto stir the rain with rootless awe, \u003cbr\u003ethen hide for years, come out \u003cbr\u003esinging, reciting poems\u003cbr\u003efrom the warmth of laps,\u003cbr\u003epaper flattened on the desk \u003cbr\u003eso the sun could read. \u003cbr\u003e\u003cbr\u003eGarcia Lorca's desk was found\u003cbr\u003edecaying in an empty field\u003cbr\u003ewhere they lined him up,\u003cbr\u003ethe feathers falling out, \u003cbr\u003eguitar strings rounding the sky \u003cbr\u003ewith wired light that sank \u003cbr\u003einto the soft paper he used\u003cbr\u003eto wipe his hands \u003cbr\u003ebefore he was shot.\u003c\/p\u003e","brand":"BOA Editions, Ltd.","offers":[{"title":"Default Title","offer_id":8418276549,"sku":"1929918704","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/0178\/files\/ConsiderationGuitar_frontcover.jpg?v=1784748884"},{"product_id":"heat-of-arrivals","title":"Heat of Arrivals","description":"\u003cp\u003eRay Gonzalez's fifth collection of poetry takes the reader to the heart of the Chicano\/American Southwest experience. His is the voice of the desert flowers, hardscrabble border cities, scorpions, snakes, adobes, petroglyphs, arroyos and mesas. The poems tell the stories of native peoples and invading Westerners, and the Chicano fathers and grandfathers who have long been silent.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e The Grandfather \u003cbr\u003e \u003cbr\u003e The grandfather goes down to the lanterns\u003cbr\u003e and lights the stars.\u003cbr\u003e \u003cbr\u003e He takes his bottle and recalls the rattler\u003cbr\u003e he killed to make way for the family.\u003cbr\u003e \u003cbr\u003e The garndfather shaves in the morning,\u003cbr\u003e cuts his throat at night. \u003cbr\u003e \u003cbr\u003e The blossom of what he knows\u003cbr\u003e spills against the years of healing,\u003cbr\u003e \u003cbr\u003e of going down\u003cbr\u003e to the railroad lanterns\u003cbr\u003e \u003cbr\u003e to light his aching arms and legs\u003cbr\u003e with the ointment of his scars.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e ©BOA Editions, Ltd 1996\u003cbr\u003e \u003cbr\u003e Available editions: \u003cbr\u003e -------------------------------------------------------------------------------- \u003cbr\u003e Cloth ISBN: 1-880238-38-1\u003cbr\u003e Price: $20.00\u003cbr\u003e Publishing Date: January 1996\u003cbr\u003e Paperback ISBN: 1-880238-39-x\u003cbr\u003e Price: $12.50 \u003cbr\u003e Publishing Date: January 1996\u003c\/p\u003e","brand":null,"offers":[{"title":"Paperback","offer_id":9802194821,"sku":"1-880238-39-x","price":12.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/0178\/products\/THEHEATOFARRIVALS.jpg?v=1527683271"},{"product_id":"the-hawk-temple-at-tierra-grande","title":"The Hawk Temple at Tierra Grande","description":"\u003cp\u003e\r\n\tWinner, the 2003 Minnesota Book Award\u003cbr\u003e\r\n\t\u003cbr\u003e\r\n\tKnown for his superrealism and magical images born of the imagery of the Chicano\/South Western culture, Ray Gonzalez gives new imagery and intensity to the mystery and common miracles of that culture. In “Tiny Doll with No Arms,” Gonzalez reassures us that the mysteries of the everyday will never be solved but will remain a source of the power of belief, the bewildering richness of what we can approach but not define: “[the doll] does not have any arms. \/ I don’t know why it was carved that way, \/ don’t know what it means, \/ why the invisible palms hold everything.” “Ray Gonzalez’s lyrical narratives are terse and satirical, jaunty and sober, confrontational and celebratory. His sensual maps of our lives are more than enlightening because his writing is informed by need. Ray Gonzalez writes poetry that troubles the waters and heals simultaneously.” —Yusef Komunyakaa\u003c\/p\u003e\r\n\u003cp\u003e\r\n\t\u003cbr\u003e\r\n\t\u003cstrong\u003eSavior\u003c\/strong\u003e \u003cbr\u003e\r\n\t\u003cbr\u003e\r\n\tI look into the eyes of loved women.\u003cbr\u003e\r\n\tI kneel and pray each week.\u003cbr\u003e\r\n\tThe difficult bird flutters out of my navel. \u003cbr\u003e\r\n\t\u003cbr\u003e\r\n\tI'm going somewhere else. \u003cbr\u003e\r\n\tI'm going somewhere drumming. \u003cbr\u003e\r\n\tI don't know if it is spoken about— \u003cbr\u003e\r\n\t\u003cbr\u003e\r\n\tWhen the bird leaves, I have two legs. \u003cbr\u003e\r\n\tWhen I turn, I am loved. \u003cbr\u003e\r\n\tWhen I stop, I'm going somewhere to be handled\u003cbr\u003e\r\n\tby icy trees, streets that cry, \u003cbr\u003e\r\n\tand nights that come to me\u003cbr\u003e\r\n\tin three languages. \u003c\/p\u003e\r\n\u003cp\u003e\r\n\t\u003cbr\u003e\r\n\t© BOA Editions, Ltd 2002 \u003cbr\u003e\r\n\t\u003cbr\u003e\r\n\tAvailable editions:\u003cbr\u003e\r\n\t-------------------------------------------------------------------------------- \u003cbr\u003e\r\n\tPaperback ISBN: 1-929918-20-8\u003cbr\u003e\r\n\tPrice: $13.95 \u003cbr\u003e\r\n\tPublishing Date: May 2002\u003c\/p\u003e\r\n","brand":"BOA Editions, Ltd.","offers":[{"title":"Default Title","offer_id":8419134661,"sku":"1929918208","price":13.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/0178\/products\/THE_HAWK_TEMPLE.jpg?v=1527683374"},{"product_id":"cool-auditor-poems","title":"Cool Auditor","description":"\u003cp\u003e\u003cem\u003eCool Auditor \u003c\/em\u003efeatures Ray Gonzalez's particular brand of magical realism. His vision of the natural world, human relationships, and the difficulties of language reveals itself in memorable and surprising ways in every poem. Loose and circumfluent, this collection of prose poems employs rich imagery and repetition of phrase and sound to create a seemingly-effortless incantatory power. Humor also plays a large role in these prose poems. His rollicking poem “Affordable Aphorisms” features many bright, humorous insights, including “If you had a normal childhood, your biographers will label it The Age of Reason.” and “To exile yourself in writing is to wear the wrong deodorant for years.” However, this levity is always counter-balanced by his deep empathy with his subjects, with animals, humans, and their surroundings. Ray Gonzalez's poetry reminds us that the mysteries of the everyday may not be solved, but through the careful use of syllable and silence they might reveal, if only momentarily, their totemic power.  \u003cbr\u003e\u003cbr\u003e\"Gonzalez's form straddles the line between poetry and prose allowing an opening for readers of both genres to enjoy his thick, musical language and fantastic imagery.  His subject matter ranging from Bob Dylan to Kenneth Rexroth to his humorous, factual \"Findings\" poems makes for a supremely cool, fun read.\" --\u003cem\u003eBomblog\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003eThe Small Searchlight\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe small searchlight comes out of nowhere and scans my brain.  When I open my eyes, it is yesterday and I am innocent of every crime, the beam searching that far back to see what makes me afraid.  The light explores all possibilities, even takes apart my desert landscape and rearranges it to resemble the planet Mars.  The searchlight pinpoints the places where I refuse to go, or even think about, areas of my guilty life silhouetted in the stark beam, my secrets and hidden ideas refusing the illumination, this small light acting as if probing is everything—all  matter and existence narrowed down to a touch of fire directed from unknown sources, my attempts to dodge it futile because the laser is already inside my head and escape would mean I would not be there the moment the torch lights the fuse and I become a different man.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eBOA Editions, Ltd 2009\u003cbr\u003e\u003cbr\u003eAvailable Editions:\u003cbr\u003e------------------------------------\u003cbr\u003ePaperback$16.00\u003cbr\u003e\u003c\/p\u003e","brand":"BOA Editions, Ltd.","offers":[{"title":"Default Title","offer_id":8420041477,"sku":"9781934414293","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/0178\/products\/CoolAuditor_Gonzalez.jpeg?v=1527683200"},{"product_id":"beautiful-wall","title":"Beautiful Wall","description":"\u003ch4\u003eWinner of the 2016 Minnesota Book Award\u003cbr\u003eWinner of the 2017 Witter Bynner Fellowship, selected by US Poet Laureate Juan Felipe Herrera\u003c\/h4\u003e\n\u003cp\u003e\u003cem\u003eBeautiful Wall \u003c\/em\u003etakes us on a profound journey through the desert Southwest where the ever-changing natural landscape and an aggressive border culture rewrite intolerance and ethnocentric thought into human history. Inextricably linked to his Mexican ancestry and American upbringing, Ray Gonzalez’s collection mounts the wall between the current realities of violence and politics, and a beautiful, never-to-be-forgotten past.\u003c\/p\u003e\n\u003ch4\u003ePaul Celan's Ashes\u003c\/h4\u003e\n\u003cp\u003eHere is the hand in its shade of absolute\u003cbr\u003eand the study of grapes with bruises.\u003cbr\u003e\u003cbr\u003eIf the river took the body,\u003cbr\u003ehow did it burn?\u003cbr\u003e\u003cbr\u003eHere are constellations stained in the books,\u003cbr\u003ethe sentence hidden from the truth,\u003cbr\u003e\u003cbr\u003eexecutions painted on the sun\u003cbr\u003eas if what is here must be understood.\u003cbr\u003e\u003cbr\u003eIf black hands reach for the sun,\u003cbr\u003ehow do ashes mask the face of history?\u003cbr\u003e\u003cbr\u003eHere is the measure of the body, the rain\u003cbr\u003ethat drips on what has been done—\u003cbr\u003e\u003cbr\u003ea greater telling vague with tongues.\u003cbr\u003eIf stepping into the void is a cut flower,\u003cbr\u003e\u003cbr\u003ehow does war leave survivors?\u003cbr\u003eHere is the healing hand on the throat,\u003cbr\u003e\u003cbr\u003ethe good heart and its water spilled\u003cbr\u003ewhen things are finally understood.\u003cbr\u003e\u003cbr\u003eIf the poem takes the soul,\u003cbr\u003ehow does sound embrace it?\u003cbr\u003e\u003cbr\u003eIf this is silence,\u003cbr\u003ehow does the bird bend the tree?\u003c\/p\u003e\n\u003ch4\u003ePraise for the collection\u003c\/h4\u003e\n\u003cp\u003e“Ray Gonzalez, a longtime poet, diamond-eyed traveler, observer of our Southwestern landscapes and peoples, is a most worthy writer to receive the Witter Bynner Fellowship. As a poet, he has covered much ground—not only as a professor and founder of many literary events throughout the nation, but also as a pioneer in experimental poetics; El Paso, Texas, histories and narratives; and incessant literary production. Ray has been at this for over four decades, not to mention his contributions in flash fiction, fiction, non-fiction, and his deep knowledge of American Pop musical culture. He is most deserving, most talented, and a true treasure for all of us.” \u003cstrong\u003e―Juan Felipe Herrera, US Poet Laureate\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“‘The desert is sick of being written about,’ declares the speaker in Gonzalez’s fifteenth collection of poems, yet ultimately what Gonzalez does is allow the reader to experience this expansive American terrain through his image-driven verse. The U.S.-Mexico border is where histories and stories converge, not always pleasant but not always tragic, and certainly worth considering. Magic awaits the keen observer, the careful listener. Each poem encourages the visitor: ‘Look.\/\/ Put your hands here.\/ This is a beautiful wall.’” \u003cstrong\u003e―Rigoberto Gonzalez, \u003cem\u003eNBC News\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“Gonzalez’s dense, surrealism-inflected poetry does seem obsessed with mud. But each time the image appears, it transforms. Mud becomes angels, walls and clay — metaphors for the survival of Mexican culture under colonialism. This culture transgresses “the violent border” between the United States and Mexico. . . . With long sentences and repeated phrases, his poems have an incantatory rhythm that takes the reader on visionary journeys through a landscape saturated with history and myth.” \u003cstrong\u003e\u003cspan\u003e―\u003cem\u003eStar Tribune\u003c\/em\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“Gonzalez, a celebrated and prolific poet, delivers another rich volume of exquisite verse, focusing on the beauty and ambiguity of walls, both literal and metaphorical. . . . Along with such fellow Chicano poets as Alberto Ríos and Juan Felipe Herrera, Gonzalez continues his invaluable role in American literature.” \u003cem\u003e\u003cstrong\u003e―Booklist\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e“Gonzalez has a way of combining the mystical with the everyday and nature with the world of the family to produce poems lush with empathy.” \u003cem\u003e\u003cstrong\u003e—Library Journal\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e“Gonzalez...has established himself as a writer of place....[In his poems] landscape becomes a palimpsest where no single narrative reigns.” \u003cem\u003e\u003cstrong\u003e—Publishers Weekly\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e“As a whole, Ray Gonzalez’s \u003cem\u003eBeautiful Wall\u003c\/em\u003e is a work of luminous intensity that emerges from the poet’s pure imagination. He calls upon both gods and poets to buttress his creation. Here the natural world and the world of surreal fantasy coexist. The voice of Gonzalez is the sound of the wind in the trees. His art is imbued with courage, light, and prayer. In short, he is one of those rare poets with the power to give shape to the unknown forces that guide us from birth to death. \u003cem\u003eBeautiful Wall\u003c\/em\u003e is a magnificent achievement.” \u003cem\u003e\u003cstrong\u003e—The Journal\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e“Ray Gonzalez is a visionary poet in the classic sense, which means that he creates an entire universe of meaning and emotion in this collection of poems. Rich with an embrace of his Mexican heritage, Gonzalez is representative of the new voice of American poetry, the voice of immigrants and their descendants, and in the hands of someone as accomplished as Gonzalez, two things happen at once: poetry is brought down to the gritty level of real experiences, and real experience is raised up into poetry through the poet’s keen attention to craft. This is a major accomplishment, and these are poems worthy of our faith and our close attention.” \u003cstrong\u003e―Bruce Weigl\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e“Ray Gonzalez has given us again a book of humanity and compassion. It is a pleasure to have him lead us from the Rio Grande to Montana, from Colorado to his hometown of El Paso, Texas, and all across the West in search of both the menacing and the luminous. And what a joy to travel, too, alongside Gonzalez’s beloved poets brought to life here—Lorca, Celan, Levis, Vallejo, Kerouac, Bly, Neruda—and especially Weldon Kees, who fills the heart of this wonderful book in the sequence, ‘Crossing New Mexico with Weldon Kees’ in such a way that Kees becomes the Virgil to Gonzalez’s Dante as they cut through the vast Southwest with its ‘tangled forms of faith and death.’ This is a book that affirms poetry as the art of a vast nation. Gonzalez celebrates and laments. He blesses and curses and brings both moral outrage and tender empathy to his subjects of lived lives and dying lives.” \u003cstrong\u003e―David Biespiel\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“The gods in Ray Gonzalez’s \u003cem\u003eBeautiful Wall\u003c\/em\u003e—Xochipilli, Garcia Lorca, Huehuecoyotl, the mountain lion, and many others—help him guide us as we pass through walls that attempt to divide cultures, dimensions, even life and death. The spiritual journey he undertakes with us, for which he invents a new language as a golden bough, is not based on literary artifice. It comes from a place so deep that Gonzalez brings us with him, both in sorrow and in ecstasy, to an entirely unique vision of this world and all the others that hide behind it.” \u003cstrong\u003e―Lawrence R. Smith\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch6\u003e© BOA Editions, Ltd. 2015\u003c\/h6\u003e","brand":"BOA Editions, Ltd.","offers":[{"title":"Default Title","offer_id":8420411717,"sku":"9781938160837","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/0178\/products\/BeautifulWall_FinalFront.jpg?v=1527683182"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0982\/0178\/collections\/40.1429551306.jpeg?v=1449014857","url":"https:\/\/shop.boaeditions.org\/collections\/ray-gonzalez.oembed","provider":"Boa Editions","version":"1.0","type":"link"}